Gihachiro Okuyama - 髪を梳く女 (Woman Combing Her Hair (Lautrec))
Title: 髪を梳く女 (Woman Combing Her Hair (Lautrec)).
Artist: Gihachiro Okuyama (1907-1981).
Signed & Dated: Signed and titled in pencil to margins, reading: ロートレック (Lautrec), 髪を梳く女 (Woman Combing Her Hair), 昭和三十二年三月 (March, Showa 32/ March 1957), 奥山儀八郎自摺 (Okuyama Gihachiro jizuri (self-printed)).
Medium: Woodblock Print.
Paper Size: Approx: W: 26.70cm x H: 39.60cm. (Image: W: 24.00 x H: 34.00cm).
Condition: Please refer to photos / Contact for any further questions & condition report.
Notes: Gihachiro Okuyama’s “Woman Combing Her Hair (髪を梳く女)” is a magnificent homage to French Post-Impressionist Henri de Toulouse-Lautrec. This rare woodblock print, based on Lautrec’s 1896 piece from his "Elles" lithography series - a portfolio focused on the lives of women in Parisian brothels - captures a moment of daily intimacy as a woman arranges her hair. Okuyama published a remarkable portfolio of woodblock prints in homage to original works by Post-Impressionists Vincent Van Gogh (フィンセント・ファン・ゴッホ), Henri de Toulouse-Lautrec (アンリ・ド・トゥールーズ＝ロートレック), and Paul Cézanne (セザンヌ). Highly collectable, it truly is remarkable how Okuyama has meticulously captured the fine details, fluid brushstrokes & textures of these Post-Impressionist masters within the precise intricacy, registration, & colour block work of traditional Japanese woodblock printing.
Title: 髪を梳く女 (Woman Combing Her Hair (Lautrec)).
Artist: Gihachiro Okuyama (1907-1981).
Signed & Dated: Signed and titled in pencil to margins, reading: ロートレック (Lautrec), 髪を梳く女 (Woman Combing Her Hair), 昭和三十二年三月 (March, Showa 32/ March 1957), 奥山儀八郎自摺 (Okuyama Gihachiro jizuri (self-printed)).
Medium: Woodblock Print.
Paper Size: Approx: W: 26.70cm x H: 39.60cm. (Image: W: 24.00 x H: 34.00cm).
Condition: Please refer to photos / Contact for any further questions & condition report.
Notes: Gihachiro Okuyama’s “Woman Combing Her Hair (髪を梳く女)” is a magnificent homage to French Post-Impressionist Henri de Toulouse-Lautrec. This rare woodblock print, based on Lautrec’s 1896 piece from his "Elles" lithography series - a portfolio focused on the lives of women in Parisian brothels - captures a moment of daily intimacy as a woman arranges her hair. Okuyama published a remarkable portfolio of woodblock prints in homage to original works by Post-Impressionists Vincent Van Gogh (フィンセント・ファン・ゴッホ), Henri de Toulouse-Lautrec (アンリ・ド・トゥールーズ＝ロートレック), and Paul Cézanne (セザンヌ). Highly collectable, it truly is remarkable how Okuyama has meticulously captured the fine details, fluid brushstrokes & textures of these Post-Impressionist masters within the precise intricacy, registration, & colour block work of traditional Japanese woodblock printing.
Title: 髪を梳く女 (Woman Combing Her Hair (Lautrec)).
Artist: Gihachiro Okuyama (1907-1981).
Signed & Dated: Signed and titled in pencil to margins, reading: ロートレック (Lautrec), 髪を梳く女 (Woman Combing Her Hair), 昭和三十二年三月 (March, Showa 32/ March 1957), 奥山儀八郎自摺 (Okuyama Gihachiro jizuri (self-printed)).
Medium: Woodblock Print.
Paper Size: Approx: W: 26.70cm x H: 39.60cm. (Image: W: 24.00 x H: 34.00cm).
Condition: Please refer to photos / Contact for any further questions & condition report.
Notes: Gihachiro Okuyama’s “Woman Combing Her Hair (髪を梳く女)” is a magnificent homage to French Post-Impressionist Henri de Toulouse-Lautrec. This rare woodblock print, based on Lautrec’s 1896 piece from his "Elles" lithography series - a portfolio focused on the lives of women in Parisian brothels - captures a moment of daily intimacy as a woman arranges her hair. Okuyama published a remarkable portfolio of woodblock prints in homage to original works by Post-Impressionists Vincent Van Gogh (フィンセント・ファン・ゴッホ), Henri de Toulouse-Lautrec (アンリ・ド・トゥールーズ＝ロートレック), and Paul Cézanne (セザンヌ). Highly collectable, it truly is remarkable how Okuyama has meticulously captured the fine details, fluid brushstrokes & textures of these Post-Impressionist masters within the precise intricacy, registration, & colour block work of traditional Japanese woodblock printing.
